An extension of Debjani Banerjee’s exhibition Jalsaghar, an intricate exploration of identity, culture, and heritage.
An extract from the artist, a review from a writer, a curated a playlist and snippets of past inspiration…

The title, which translates to “The Music Room,” hints at a space of cultural expression. Banerjee’s works delve into the multifaceted nature of her identity as a British Bengali, shaped by her experiences growing up in England during the 1980s. This backdrop provides a rich tapestry for examining the layers of cultural dissonance and hybridity that define her perspective.

Her sculptures, textiles and audio installations blend traditional Indian craft techniques with contemporary artistic expressions, reflecting the duality of her heritage. Banerjee draws inspiration from various sources, including family conversations, Indian pop culture, Hindu iconography, and sacred rituals. These elements are interwoven into her art, creating pieces that are both deeply personal and universally resonant.

In Jalsaghar, Debjani Banerjee has embraced her interest in workshops, engagement, and participatory art practices by collaborating with several artists and contributors. Bernie Reid, Marta Aspe, Susmita Pujara, and Kavi Pujara have all played significant roles in the creation of various aspects of the exhibition. This collaborative approach is central to Banerjee’s work, emphasising community involvement and the blending of different artistic perspectives.

The exhibition navigates themes of cultural migration and the evolving nature of identity. Banerjee’s work is characterised by a delicate balance of humour and poignancy, capturing the joy and melancholy inherent in the experience of belonging to multiple cultures.